Street Photography
Objective: Configure the X100VI for fast reaction, enough depth of field, and a consistent documentary look.
Recommended Equipment
- Wrist strap
- Charged battery
- Formatted card
Quick Setup Summary
| Setting | Recommended Value |
|---|---|
| Image Quality | FINE+RAW or JPEG+RAW |
| Film Simulation | Classic Chrome or Classic Neg |
| Aperture | f/5.6–f/8 |
| ISO | Auto ISO 125–6400 |
| AF Mode | Zone or Single Point |
| Face/Eye | Optional |
| Shutter | Mechanical or electronic as needed |
Step-by-Step Menu Setup
Follow these steps in order. Each step explains the menu path and the reason for the choice.
Step 1 – Choose film simulation
Why: Classic Chrome gives a restrained documentary look.
Recommended: Use Classic Chrome for street color; Acros for black and white.
Avoid: Avoid overly saturated looks unless intentional.
Step 2 – Set aperture
Why: Street photography benefits from depth of field and fast response.
Recommended: Use f/8 for zone-like shooting.
Avoid: Avoid f/2 unless you have time to focus carefully.
Step 3 – Set Auto ISO
Why: Street light changes quickly.
Recommended: Use Auto ISO max 6400.
Avoid: Avoid fixed ISO 125 in shade.
Step 4 – Set AF Mode
Why: Zone is faster for people; Single Point is more precise.
Recommended: Use Zone for movement; Single Point for still scenes.
Avoid: Avoid Wide/Tracking if it picks backgrounds.
Professional Tips
- Pre-set aperture before walking.
- Use the OVF if you like seeing outside the frame.
- Do not review every photo.
Troubleshooting
| Problem | Likely Cause / Fix |
|---|---|
| Slow response | Too many menu changes. |
| Focus on background | AF area too wide. |
| Blur | Shutter too slow; raise ISO limit. |
Final Checklist
- Image Quality: FINE+RAW or JPEG+RAW
- Film Simulation: Classic Chrome or Classic Neg
- Aperture: f/5.6–f/8
- ISO: Auto ISO 125–6400
- AF Mode: Zone or Single Point
- Face/Eye: Optional
- Shutter: Mechanical or electronic as needed
Camera Ready: After these settings are confirmed, the X100VI is ready for this type of photography.